![]() The artists worked for over a month on the production. With Baudraud’s assistance, Kopp took on Simone Naked, as well the 12-foot frescoes that are the artist’s late masterpiece-and feature in the story’s dramatic climax, in which Cadazio bribes the prison guards to stage a hotly anticipated reveal for a select group of wealthy art collectors. “It was this crazy busy environment, but so creative and very inspiring.”įresh off the intensive oil painting curriculum at the academy, Smith was tasked with creating Rosenthaler’s smaller early works. “I’m a huge Wes Anderson fan, so obviously I jumped at the opportunity,” she told Artnet News. Sian Smith making paintings for The French Dispatch. (Rosenthaler’s prison guard-turned-lover, Simone, played by Léa Seydoux, is the model.) It is one of these later works, Simone Naked, Cell Block J Hobby Room, that catches the eye of another inmate, Julian Cadazio (Adrien Brody), an art dealer serving time for tax evasion. ![]() To bring the character to life, Anderson enlisted a trio of IRL artists- Sandro Kopp assisted by Sian Smith and Edith Baudraud-to execute Rosenthaler’s on-screen oeuvre, which includes early paintings in a more traditional figurative style that make way for the radical abstractions made during his incarceration. It’s about Moses Rosenthaler (played, at different ages, by Benicio del Toro and Tony Revolori), who becomes a world-renowned artist while serving a murder sentence at the Ennui prison. Berensen (Tilda Swinton), a character inspired by art historian Rosamund Bernier. One of those stories is “The Concrete Masterpiece,” told in the form of an art lecture by staff writer J.K.L. The French Dispatch of the Liberty, Kansas Evening Sun, the latest effort from noted auteur Wes Anderson, transports viewers to the mid-20th-century French village of Ennui-sur-Blasé in an anthology film where each chapter represents a feature article in the titular New Yorker–style magazine (complete with covers by illustrator Javi Aznarez).
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